Showing Records: 1 - 5 of 5
A Collection of Concrete & Visual Poetry / Hoffberg, Judith ; Sharkey JJ ; Finch P ; Cobbing B ; Furnival J ; Finlay IH ; Houedard DS ; Nichol bp ; Chopin H ; Nova GL ; Minkoff G ; Loye P ; Phillips T ; Mon F ; Dohl R ; Cox K ; Schmidt W ; Arias-Misson A ; Aylward D ; Bedford D ; Blaine J ; Bory JF ; Brown P ; Burroughs WS ; Castillejo JL ; Carter A ; Clark TA ; DeCampos A ; cummings ee ; deCharmoy C ; Cutts S ; Garnier P ; Gosewitz L ; Gibbs M ; Hazelton DR ; Gysin B ; Heidsieck B ; Hausmann R ; Hirsal J ; Jandl E ; Kozlowski J ; Kilburn D ; Kolar J ; Kriwet F ; Mayer HJ ; Mayer P ; Pacey P ; Phillips MJ ; O'Huigin S ; Roth D ; Roysan BW ; Rowan J ; Schauffelen KB ; Themerson S ; Thacker E ; Valoch J ; Vaughn-James M ; Verey C ; Ward JP ; Williams E ; Wright E., 1979
This is a catalogue for the first major collection purchased by the Sackners in the formative stages of their Archive. Hoffberg was representing Richard Aaron, the bookdealer who owned this collection. Hoffberg had offered the collection to Jean Brown who did not buy it but referred the Sackners as potential buyers. -- Source of annotation: Marvin or Ruth Sackner.
Blats / Finch, Peter ; Kostelanetz R., 1972
The Sackner Archive has two signed copies of this book, one in a series of 25 as in this copy and the other out of series. -- Source of annotation: Marvin or Ruth Sackner.
Selected Poems, 1987
Peter Finch introduces his collected works by tracing those poets who influenced him. He writes that "concrete poetry does not use language for the recollection of emotion in tranquility but as the material of the poem itself." The book includes a poem, "Breath (after Philip Glass)," which repetitively utilizes the phrases, "the breath came and the breath went," as an incessant background rhythm for the main text in an analogous way that Philip Glass presents his music compositions. -- Source of annotation: Marvin or Ruth Sackner.